An interview with Street artist Kidult. His approach to taking graffiti back to its roots is an interesting perspective in a world where graffiti artists are becoming stars rather than public disrupters of the landscape. I'm really just trying to get a feel for what people are up to in the urban art world. This grass roots approach echos the approach taken bu artists at the "Rage Cage" studio that I work in where people are still just doing graffiti and street art to provoke society rather than to become famous.
Monday, July 18, 2011
Talking Graffiti With… Kidult
Talking Graffiti With… Kidult

An interview with Street artist Kidult. His approach to taking graffiti back to its roots is an interesting perspective in a world where graffiti artists are becoming stars rather than public disrupters of the landscape. I'm really just trying to get a feel for what people are up to in the urban art world. This grass roots approach echos the approach taken bu artists at the "Rage Cage" studio that I work in where people are still just doing graffiti and street art to provoke society rather than to become famous.
An interview with Street artist Kidult. His approach to taking graffiti back to its roots is an interesting perspective in a world where graffiti artists are becoming stars rather than public disrupters of the landscape. I'm really just trying to get a feel for what people are up to in the urban art world. This grass roots approach echos the approach taken bu artists at the "Rage Cage" studio that I work in where people are still just doing graffiti and street art to provoke society rather than to become famous.
Buddy Bag///Hanging Out
Hanging Out
http://vimeo.com/kevinluna/hangingout
Source: Lysamedia 2011, Hanging Out, viewed, 19 July, 2011, Directed by Kevin Lunar,
http://www.lysamedia.com/index.php?/production/
I enjoyed this video because I found that the music really took what was a fairly short, well shot piece of video and brought it to life. I think that music is a really important part of making a short film because it can either make or break a viewers enjoyment of a piece of footage. If it fits and is appropriate to the visual it enhances it. If it is ill-fitted then the felling the director is trying to portray i lost.
This music fits quite well to the film and provides a sense of slowness and ambiguity to the film.
I will be trying to carefully consider the music I add to my short films for the reasons stated above. I also thought that music like the track used in this piece was similar to the type of music I might use for Tom O'herns segment as it has that low fi, droning approach much like the music Tom listens to in the "Rage Cage" studio.
End Second Semester Project Blog, Vis Com 2011
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